Borga Revolution! Ghanaian Dance Music In The Digital Age, 1983 – 1992 (Volume 1)

£22.99

Kalita are proud to unveil the first ever compilation focussing on the phenomenon of ‘Burger Highlife’, a crossover of West African melodies with synthesizers, disco and boogie that took over Ghanaian airwaves during the 1980’s and beyond. Highlighting key recordings from genre-defining artists including Thomas Frempong and George Darko, as well as more obscure sought-after tracks by elusive bands such as Aban and Uncle Joe’s Afri-Beat, Kalita come to the rescue of audiophiles, DJs and music-lovers alike with ‘Borga Revolution!’ Spread over a double-LP housed in a gatefold sleeve. Accompanied by a 16-page booklet featuring extensive interview-based liner notes on each artist and never-before-seen archival photos.

The 1970s had witnessed an increased Western airtime and physical presence in Ghana introducing funk, soul and disco sounds to the region. By the turn of the decade the country was also enduring economic turmoil, with rising poverty, military dictatorships and long periods of enforced curfews (amongst other factors) making it impossible for artists to survive.

As a result, many Ghanaian artists with a broader outlook began to pursue their careers in the West, moving to both Europe and America in search of stardom. It was here that Ghanaian musicians developed a digitised version of highlife music which fully embraced Western contemporary music styles and newly introduced technology such as the DX7 synthesizer and various drum machines.

It is in this context in which the evolution of Ghanaian dance music and the emergence of ‘burger highlife’ was born. With ‘Borga Revolution!’ Kalita endeavour to tell this story, with prominent and lesser-known musicians’ accounts and documentary evidence providing a comprehensive understanding of this shift to the digital age.

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Description

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Kalita are proud to unveil the first ever compilation focussing on the phenomenon of ‘Burger Highlife’, a crossover of West African melodies with synthesizers, disco and boogie that took over Ghanaian airwaves during the 1980’s and beyond. Highlighting key recordings from genre-defining artists including Thomas Frempong and George Darko, as well as more obscure sought-after tracks by elusive bands such as Aban and Uncle Joe’s Afri-Beat, Kalita come to the rescue of audiophiles, DJs and music-lovers alike with ‘Borga Revolution!’ Spread over a double-LP housed in a gatefold sleeve. Accompanied by a 16-page booklet featuring extensive interview-based liner notes on each artist and never-before-seen archival photos.

Tracklist
A1. Uncle Joe’s Afri-Beat – Eshe Wo Kon Ho
A2. Thomas Frempong – Mada Meho So
A3. Native Spirit – Odo San Bra Fie
B1. George Darko – Medo Menuanom (12″ Verson)
B2. Wilson Boateng – Mabre Agu
B3. Paa Jude – Odo Refre Wo
C1. Aban – Efie Nnye
C2. Wilson Boateng – Asew Watchman
C3. Uncle Joe’s Afri-Beat – Mr. D.J.
D1. George Darko – Obi Abayewa
D2. Dr. K. Gyasi’s Noble Kings – Damfo Agoo / David Akofo / Obegyaa Nowa / Okwantuni Moboro (Medley)

Thomas Frempong – Mada Meho So

The 1970s had witnessed an increased Western airtime and physical presence in Ghana introducing funk, soul and disco sounds to the region. By the turn of the decade the country was also enduring economic turmoil, with rising poverty, military dictatorships and long periods of enforced curfews (amongst other factors) making it impossible for artists to survive.

Aban – Efie Nnye

As a result, many Ghanaian artists with a broader outlook began to pursue their careers in the West, moving to both Europe and America in search of stardom. It was here that Ghanaian musicians developed a digitised version of highlife music which fully embraced Western contemporary music styles and newly introduced technology such as the DX7 synthesizer and various drum machines.

Paa Jude – Odo Refre Wo

It is in this context in which the evolution of Ghanaian dance music and the emergence of ‘burger highlife’ was born. With ‘Borga Revolution!’ Kalita endeavour to tell this story, with prominent and lesser-known musicians’ accounts and documentary evidence providing a comprehensive understanding of this shift to the digital age.

Uncle Joe’s Afri-Beat – Eshe Wo Kon Ho

Wilson Boateng – Asew Watchman

George Darko – Obi Abayewa

George Darko – Medo Menuanom (12″ Version)

Dr. K. Gyasi’s Noble Kings – Damfo Agoo / David Akofo / Obegyaa Nowa / Okwantuni Moboro (Medley)

Native Spirit – Odo San Bra Fie

Uncle Joe’s Afri-Beat – Mr. D.J.

Wilson Boateng – Mabre Agu

 

Additional information

Weight .501 kg
Dimensions 31 × 1 × 1 cm